We laugh at those now but Hollywood FX had to begin someplace. Some people believe that there is an over dependence on special effects, to the hinderance of story and characterization.
Matte painted backgrounds and miniature models served films well for a long time, allowing futuristic motion pictures such as Fritz Lang's Metropolis. A combination of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. War motion pictures that needed sea battle video footage utilized miniature models in huge water tanks. This, and a technique called taking a trip matte, created the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of special effects experts.
Additional advancement came when effects manager Douglas Trumball developed brand-new strategies for the last trip in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the obstacle and surprised audiences with Star Wars in 1977. His group developed a brand-new computer system managed electronic camera that enhanced duplicated cam movement and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX ever since.
Today, we are used to the concept of movies being shot with a blue screen and the background being added later. Computer System Graphics Imaging (CGI) controls the scene now. Any item or individual can be manipulated by the computer system and combined in with the live action. This method was put to excellent usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects team at Pixar has presented it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are just about gone. The Weta workshop in New Zealand has actually developed a reputation as one of the very best unique effects companies, specifically considering that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the epic motion picture possible. It would have been cost excessive to construct a mock up of the Coliseum in Gladiator. Russell Crowe combats the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to begin somewhere. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has pioneered Hollywood FX ever given that.
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